Kari Nielsen is originally from Montana and has worked as a guide and land manager in Utah, Alaska, Montana, and Patagonia. Her work has appeared in The Esthetic Apostle, CIRQUE, and the anthologies Waymaking and A Narrative Map. Her novel manuscript, Koloniya, was a 2018 finalist for New Rivers’ Press Many Voices Project.
What made you decide to pursue an MFA in creative writing? Why did you choose the program at UW?
I applied to UW because it is a small, intimate program, and my husband and I wanted to stay in the Rockies.
Do you think living in Wyoming has changed your writing process, or your perspective on writing?
Being in the MFA program has introduced me to lots of writing processes, which has helped me be more open-minded about my own.
What have you been working on lately? What is your thesis about?
My thesis is a novel about two people who climb a mountain and encounter various people on their journey. This morning, I started working on a play that has been on the backburner for awhile.
What do you think the major influences on your work have been? Any particular books, movies, albums or experiences that have shaped you as a writer?
Major influences include Gary Snyder, J.M. Coetzee, Marilynne Robinson, Paul Bowles, and James Welch, among many others. I’ve recently been watching films by Ingmar Berman and Ciro Guerra and can’t stop listening to Thom Yorke’s soundtrack to Suspiria.
What advice would you give to people who are starting an MFA program?
I have often heard the advice ‘just keep writing,’ which is great. What can get lost in that seemingly harmless phrase is that living is also important. Life is what informs writing, and vice versa. For me, half of writing is living, being engaged with place and animals, friends and family, food, wilderness.
Kari will be reading at the first event in the 2019-2020 MFA Reading Series, which will be held at Night Heron Books & Coffeehouse on Thursday, September 26, at 7 PM.